The Garden Edit

A person wearing a hat and a pink checkered shirt sits among blooming pink roses, partially obscured by flowers and soft sunlight.

THE GARDEN EDIT

Throughout the warmer months of the year, one’s garden becomes an extension of one’s living space. Sunshine brings with it lots of vitamin D as the days lengthen and our collective mood lifts. For our latest campaign, a creative collaboration with photographer Ben McMahon and stylist David Nolan, the lines between work and home, formal and informal, are reimagined. David and Ben, long-time friends, collaborators, and housemates, selected some of our signature pieces to create an editorial that embraces the beauty of one's home and garden – even in the midst a crisis.
A collage featuring a man in vintage-style outfits: a white shirt and cream pants, a blue sweater vest over a collared shirt, and a cream jacket hanging on a wooden mirror above a fireplace with plants.
Black and white photos of a person in sunglasses and a suit, lounging on an outdoor armchair, partially obscured by plants and sunlight. The top image shows a wider view; the bottom is a closer shot.
“Making these images from home was a way of exploring how we might deformalize what are originally classic items of clothing. Opting for single button, easier to roll, cuffs instead of double. Removing collar stays and popping an extra button at the neck of a formal shirt. For knits going for a fuller size for ease of movement.
Cotton for trousers for less maintenance and dressing up the classic cotton pyjama shirt!”
A close-up of a bookshelf with vintage books lined up, a table lamp with a patterned shade on the left, a leafy plant on the right, and a framed picture hanging on the wall above the shelf.
“The Yellow Book was a late Victorian quarterly journal associated with aestheticism. It is a treasure of an object and the copy shown in the shoot features a cover illustration by the artist Aubrey Beardsley, who's retrospective was about to open at the Tate Britain when lockdown set in. I had planned to visit it with my mum and am excited that we can now do so as the Tate will reopen. Feels relevant and symbolic in a way as something lovely to look ahead to for me.”
A collage of three images: a black-and-white photo of a man with folded arms, a close-up of a yellow book on a couch, and a man sitting on a sofa in a cozy living room with plants and framed art.
A person in a purple sweater vest and glasses leans against a wall, looking down. Above them, there is a small painting of yellow and white flowers with green leaves. The background is mostly white.
With fresh perspectives sought the world over, from disbanding corporate offices to cross-continental creative collaboration, resetting Turnbull classics in a new light supplies a chance for creative dressing only possible due to confinement. A series of pastel cotton business shirts draw parallels with the petals and blossoms within the garden itself – bringing the outside in and recentring us in nature. And as we contend with the end of summer and continued re-emergence from lockdown, bright, light knitwear offers a template for upcoming transitional dressing.
A collage with three photos: a close-up of shoes and gray pants; a man in a yellow striped shirt sitting; and the same man adjusting his shirt while looking in a mirror.
Four dress shirts in blue stripes, black stripes, pink checks, and yellow stripes hang on wooden hangers from hooks against a warm-colored wall.